Weaving Traditions: The Role of the IPA in Promoting Paraguayan Crafts
In the heart of Paraguay, a transformative initiative is unfolding, spearheaded by the Paraguayan Institute of Crafts (IPA). Established in 2004 under Law No. 2,448, the IPA was born out of a commitment to promote national crafts and support artisans across the nation. Over the past two decades, the institute has evolved significantly, particularly in its recent focus on safeguarding traditional knowledge—a testament to its dedication to preserving the cultural heritage of Paraguay.

In an interview with Latina Republic, Andrea Vázquez, the President of the IPA, emphasizes the institute’s multifaceted approach. “Our mission revolves around three main pillars: Development, Promotion, and Safeguarding,” she explains. This framework guides the IPA in enhancing the quality of life and production for artisans within their communities. With the recent approval of the first National Craft Policy in April 2024, crafted through collaborative efforts with artisan leaders and institutions, the IPA is now equipped with a comprehensive strategy that addresses social, cultural, economic, and environmental dimensions.
Vázquez explains: “As a primary tool for inter-institutional collaboration, the IPA now has the first Política Nacional de Artesanía, approved in April 2024 by presidential decree. This policy addresses various dimensions: social, cultural, economic, environmental, and political-institutional. It was constructed participatively, involving leaders from different artisan communities across the country, as well as state and private institutions with which we currently develop coordinated actions focused on a common goal.”

At the core of this initiative is a deep respect for Paraguay’s diverse artisan traditions. The IPA recognizes three main categories of crafts: traditional popular crafts, indigenous crafts, and contemporary crafts, each rich with cultural significance. From the intricate ñandutí lacework and vibrant ao po’i textiles to the sculptural beauty of cedar and palo santo carvings, these crafts are not mere products; they embody the stories, traditions, and identities of the communities that create them.
The Schools of Safeguarding (Escuelas de Salvaguarda) program is the main action for recognizing, rescuing, and strengthening techniques that have weakened over time or are at risk of disappearing. These schools aim to ensure generational transfer by identifying older artisans who can effectively pass on their knowledge to new or more immediate-generation artisans. Additionally, the registration and systematization of information is a fundamental element of this action.

The IPA actively engages artisans through targeted training programs. Workshops focusing on technique enhancement, marketing strategies, and copyright protection empower artisans to refine their skills and broaden their commercial horizons. These efforts are complemented by the unique Schools of Safeguarding program, which identifies experienced artisans to pass their invaluable knowledge to younger generations. This initiative not only preserves traditional techniques but also strengthens community ties and fosters a sense of pride in Paraguay’s rich heritage.
“We consider training activities aimed at valuation to be of vital importance, allowing interested citizens to access a variety of workshops and short- and long-term courses where they can learn more about traditional techniques and even refine their knowledge at more advanced levels,” says Vázquez.

Moreover, the IPA is committed to promoting Paraguayan crafts on an international stage. The IMPULSO program, launched in 2024, provides crucial funding to artisan communities, enabling them to enhance their marketing capabilities and reach broader markets. Through exhibitions and cultural displays abroad, the IPA ensures that Paraguay’s artistic expressions are celebrated globally, connecting local artisans with international audiences.
Vázquez details, “Among the internationalization actions, since 2024 we have launched the IMPULSO initiative, which focuses on fund transfers for companies that work responsibly with artisan communities and need to strengthen their promotion and marketing skills in international markets.
“Additionally, we organize exhibitions, displays, and outreach materials to ensure Paraguay’s presence in various cultural spaces abroad. We support the travel and presence of artisans and businesses in different international markets, as well as parades, fairs, and sales of specific collections in cultural centers and/or museums.
“As the governing body of crafts within the Government of Paraguay, we direct any invitations to the most relevant artisans, individuals, or institutions, ensuring that we respond effectively to any invitations or collaborations that may arise.”
Directorio Nacional de Artesanos, Paraguay
Through the National Artisan Registry, the institution currently identifies three categories of crafts: traditional popular crafts, indigenous crafts (with 19 indigenous communities), and contemporary crafts.
Additionally, there are eight modalities:
- Textiles, with cotton as the main raw material, highlighting Paraguayan hammocks, ñandutí lace, and ao po’i fabric as key emblems.
- Leather, featuring Atyra embossing as the most emblematic technique.
- Pottery and ceramics, with three main areas: Areguá, Itá, and Tobatí, where white clay and estuary mud (ñai’u in Guaraní) are worked.
- Wood and stone, showcasing a wide diversity of carvers and sculptors, including carvings in cedar, palo santo, and timbó, as well as sandstone sculptures with reminiscences of the Jesuit period in the region.
- Metals and horns, with silver filigree and chiseled tereré cups as the most elaborated and sought-after products.
- Basketry, featuring over 12 communities, styles, and materials, including both popular and indigenous basketry.
- Ceremonial, gathering, and hunting, which presents necklaces and items made with seeds, as well as indigenous feather art.
- Indigenous artistic expressions, including Nivaclé drawings, a traditional artistic expression present in new generations.
“Our main tool for identifying artisans is the National Artisan Registry, through which we can understand the production context and the origin of each artisan’s tradition. Support is primarily directed through organized groups, aiming for a transparent and rotating system where all artisans have the same opportunity,” details Vázquez.

However, the journey is not without its challenges. The IPA faces significant hurdles, including the sustainability of raw materials and the generational transfer of traditional knowledge. Vázquez acknowledges these obstacles, stating that the institute is focused on ensuring that resources remain pure and accessible for future generations. This involves rethinking production practices and adapting to the digital age, where the symbolic value of crafts can be celebrated beyond their material aspects.
As the President of IPA explains, “There are many challenges, not only from Paraguay’s perspective but also regarding craft pieces in the world. We face the need to ensure the sustainability of raw materials, allowing them to remain pure and natural for as long as possible. This requires us to consider systematic or controlled production of materials that have historically been extracted from nature without being cultivated, such as totora, wembepy, ysypo, and even the estuary grasses, which have been severely affected by the disappearance of peri-urban forests, droughts, and fires.
“On the other hand, generational transfer must be a common goal globally, ensuring that traditional knowledge is not lost with new generations. This compels us to rethink marketing strategies aligned with the digital age, valuing the symbolism of craft pieces far beyond their materiality, and viewing them as witnesses of ancestral knowledge, a connection with nature, and the identity of specific territories.”

As the IPA continues to champion the artisans of Paraguay, it stands as a beacon of hope and empowerment. Through strategic initiatives and a profound commitment to cultural preservation, the institute not only safeguards the nation’s artistic heritage but also uplifts the lives of artisans, ensuring that their craft thrives for generations to come. In doing so, the IPA not only enhances the economic well-being of communities but also enriches the cultural tapestry of Paraguay, weaving together the past, present, and future of its artisan legacy.

La Ruta Nacional de la Artesanía
As the Paraguayan Institute of Crafts (IPA) looks to the future, it unveils an exciting initiative: the National Craft Route. This comprehensive program aims to bridge the gap between artisans and tourists, allowing visitors to immerse themselves in the rich tapestry of Paraguayan craftsmanship. Through this initiative, travelers gain insight into the production context and the origins of various artisan pieces, fostering a deeper appreciation for the artistry involved. By promoting community development and economic opportunities, the National Craft Route not only supports artisans but also invites everyone to explore the traditional techniques and knowledge that shape Paraguay’s unique identity.
View this post on Instagram
The IPA encourages both citizens and tourists to actively support local crafts. Engaging with the vibrant craft scene is as simple as attending one of the many fairs organized by the institute or visiting the Directory section on the IPA’s website, where a list of artisans creating beautiful ao po’i fabric, intricate basketry, and the beloved poncho para’i is available. This connection between consumers and artisans fosters a sense of community and reinforces the cultural significance of each handmade piece.
Looking ahead, the IPA is committed to continuing its mission with new projects that focus on promoting high-quality crafts. Plans are underway to create additional marketing spaces that emphasize fair trade practices, ensuring artisans receive just recognition for their work and preserving the invaluable knowledge that underpins their craft.

Recognizing the importance of inclusivity, the IPA also actively supports indigenous artisans, incorporating their unique production modalities into all its programs. Paraguay boasts a wealth of artisan experience across its 17 departments, with Central, Paraguarí, and Cordillera standing out as hubs of creativity. Each community brings its distinct heritage and craftsmanship to the forefront, showcasing a remarkable array of products that reflect the nation’s diverse culture.

The IPA plays a vital role in assisting these artisan communities through strategic partnerships with training institutions, providing opportunities for skill development, access to materials, and financial support from government programs. Such initiatives are crucial, as approximately 60% of registered artisans depend solely on the sale of their crafted goods, underscoring the economic significance of artisan production in these communities.
Handmade objects are not just products; they carry profound cultural meanings and traditions. Each piece reflects the identity of its creator, encapsulating family heritage and the pride of the community. This deep connection to cultural roots is what makes Paraguayan craftsmanship truly special.

In the grand tapestry of South America, Paraguay distinguishes itself through its rich diversity in techniques and materials. The country is celebrated for its traditional popular crafts, which exist alongside indigenous crafts, each highly valued and integral to the nation’s identity. This harmonious coexistence of various crafting traditions not only enriches Paraguay’s cultural landscape but also fortifies the community’s commitment to preserving their artisanal legacy for generations to come.
As the IPA continues its mission, it stands as a champion of Paraguayan artisans, ensuring that their stories, skills, and contributions remain vibrant and celebrated in both local and global contexts. Through these initiatives, the IPA not only safeguards a treasured heritage but also empowers the artisans who embody the spirit of Paraguay.
To learn more, visit:
Paraguayan Artisans’ Directory
Instituto Paraguayo de Artesania
Soledad Quartucci | CEO, Latina Republic
Latina Republic envisions a world where the beauty and resilience of Latin American and Caribbean cultures are recognized and celebrated globally. By amplifying the voices of artists and cultural custodians, we aim to foster a deeper understanding of the region’s challenges and triumphs. Our goal is to inspire a greater appreciation for the arts as a tool for empathy, unity, and transformative social change. Through our efforts, we seek to provide essential insights for addressing regional challenges, ultimately enriching the global cultural landscape while highlighting the victories and hardships of everyday life in Latin America.


